“I feel like I’m being shoved into a corner”, Mickey Rooney (as Dan Brady) says during the final half of Quicksand (1950), “and if I don’t get out soon it will be too late.”
This one line neatly encapsulates the situation of most leading men in the film noir genre.
Sharply directed with flair by Irving Pichel, Quicksand tells the story of Dan Brady (Rooney), an aw-shucks, apple pie eating auto mechanic who’s biggest problem at the beginning of the movie is that his gorgeous girlfriend Helen (Barbara Bates) is getting too serious. “I spent four years in the Navy fighting for freedom, why get anchored down now?” he whines to his unsympathetic pals. “Some dames are sure hard to shake off,” his friend Buzz replies. Cue sexy blonde bombshell Vera (Jeanne Cagney) and the jazz saxophone soundtrack. With her trench coat, platinum Harlow locks and that quintessential Cagney swagger, she turns Dan away from his apple pie. Surprisingly, she agrees to a date but now Dan has another problem: it’s five days until payday and he’s flat busted – how’s he gonna show a swell dame like Vera a good time? Desperate and horny, Dan “borrows” twenty dollars from his employer’s cash register. The stolen dough leads him down a rabbit hole of crime and depravity.
In many ways, Quicksand is a Catholic parable: sexual desire leads to stealing and stealing leads to murder. But never mind the moralizing – Quicksand is a fun movie with a standout cast, making it one of the most enjoyable film noir films I have seen thus far.Continue reading “Film Noir Review: Quicksand (1950)”