An Interview with Burlesque Sensation Wanda Wiggles!

Brazen and busty, Wanda Wiggles, the star of Filthy Sugar, has taken the burlesque world by a storm! She’s been described by the Underwood bangers as both a “voluptuous dream sweeter than a whipped cream strawberry sundae” and a “Vengeful Vamp”. Here at the Soda Fountain, we thought it was high time to sit down with the rebellious redhead herself. So we put on our best negligee, broke out the rotary dial telephone and gave Ms. Wiggles a call on the horn. Join us below as we discuss everything from burlesque to brassieres and bathtub gin with the infamous hoofer!

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My Kind of Dame

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Every Wednesday evening as a child, my mother would force me into an ugly, itchy brown polyester dress and thick woolen stockings and take me – no doubt kicking and screaming – to the local community center for my weekly Brownies meeting. (For those not in the know, Brownies are a version of Girl Guides for younger kids).  I’d spend about an hour or so with a bunch of seven year old frenemies, sitting around a musty smelling stuffed owl (no, this is not an unflattering description of our group’s leader; it actually was a stuffed bird) while sewing badges on our fugly uniforms and reciting the group’s “motto, promise and law” as we raised and held our right index and middle fingers together tightly. I have no idea why we made this hand gesture – my only guess is that it was meant to symbolize what we were expected to do with our legs come puberty. (“Keep ‘em together, ladies!”)

Our most important promise was to “always think of others before” ourselves. I remember being puzzled by this – why were other people’s needs so much more important than mine? Didn’t I matter too? Nonetheless, I took the promise to heart – as a girl, I learned, this made life easier. As a woman, I learned, this only made life easier for everyone else.

No wonder as a teenager I always gravitated toward “the feisty ones”: the girls in the tight clothes; the ones who wore too much make-up; the girls who gave out plenty of cut-eye but never minced words.

Girls like Jean Harlow.

Blood and Kisses: Ten Fabulous Bette Davis Quotes

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By Heather Babcock

The odd one out in a sea of perfect cheekbones and symmetrical faces, Bette Davis was the closest thing to an “every-woman” that classic Hollywood ever got. Dismissed early on in her career by studio heads who didn’t find her “sexy” enough, the feisty trailblazing Davis went on to become one of the most popular, iconic and enduring figures of film and pop culture.

In some ways, Davis was the female Lon Chaney, “The Man of a Thousand Faces”. In films like Of Human Bondage (1934), Mr. Skeffington (1944) and What Ever Happened to Baby Jane? (1962), she portrayed unlikable characters with a relish that bordered on sadomasochism and insisted on using “ugly” make-up to look more hideous than her directors thought necessary. In her breakout role as Mildred Rogers, the vile wretch who cruelly toys with poor, sensitive Philip Carey (Leslie Howard) in Of Human Bondage (1934), Bette, in her own words, “made it pretty clear that Mildred was not going to die of a dread disease looking as if a deb had missed her noon nap.” During the filming of Mr. Skeffington (1944), when her director Vincent Sherman balked at the over-the-top make-up she insisted on wearing to play Fanny Skeffington, a deteriorating socialite who has lost her looks to diphtheria, Bette shrugged. “My audience likes to see me do this kind of thing,” she replied.

Those large, infamous eyes were like that of a doe but onscreen Bette Davis often possessed the look of a startled rattlesnake. Like a razor blade hidden inside a tube of pink lipstick, her kiss – and words – had plenty of bite. In films such as The Letter (1940) and All About Eve (1950), Davis delivered cutting and suggestive lines with her own signature blend of caustic sensuality. Here is a look at some of Bette’s most unforgettable on-screen quotes (with a fabulous off-screen one thrown in for good measure):

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