We’re (Not) in the Money: What Covid-era Filmmakers Can Learn From Pre-Code Depression-era Movies

“He’s just the kind of man I’ve been looking for: lots of money and no resistance.” Aline MacMahon and Guy Kibbee in Gold Diggers of 1933

Recently the Wall Street Journal ran an article about the pandemic themed HBO Max movie Locked Down in which writer John Jurgensen posed the question: does anyone want to see on screen what they experience every day? After all, as Jurgensen points out, Covid-19 themed productions such as the TV Show Connecting…and the movie Songbird both flopped with audiences and critics alike.

“Man, I can’t wait to watch all these movies being made about the pandemic – said no one ever!” my friend Natasha recently texted me. “Maybe a movie about dogs in the pandemic would be more interesting.”

Both the conversation with my friend and Jurgensen’s article got me thinking about all those movies made during another crisis: namely the Pre-Code films created during the early years of the Great Depression.

But weren’t Depression-era movies all about glitzy escapism, you may ask and you’d be partly right: the most enduring films of the 1930s are the flashy musicals, the screwball comedies and the Universal monster flicks. However a closer look at these films reveal more grit than glitter: after all, remember that it was a stolen apple that led the impoverished waif Ann Darrow (Fay Wray) to Skull Island in King Kong (1933), arguably the most famous of all Pre-Code movies.

Continue reading “We’re (Not) in the Money: What Covid-era Filmmakers Can Learn From Pre-Code Depression-era Movies”