Listen, don’t think you can walk in here and take over this joint. There’s lots of big sharks in here that just live on fresh fish like you.Susie (Dorothy Burgess), Ladies They Talk About
On the silver screen of the 1930s, beauty and talent counted for some but personality was worth a lot more. Lucky Barbara Stanwyck had all three – and how! One of the most quintessential actresses of the Pre-Code era, Stanwyck could be both tough-as-nails and vulnerable at the same time, as showcased in two of her best movies from this time period, Baby Face (1933) and Ladies They Talk About (1933). In both movies, Stanwyck plays the “good bad girl”, a term coined by Henry James Forman in his 1933 book Our Movie-Made Children to describe a leading female character who combines “sweetness” with “loose morals”.
If there were any doubts that Depression-era audiences adored the “good bad girl”, the trailer for Ladies They Talk About casts them aside, exclaiming:
Men called her BEAUTIFUL! Women called her BAD! Police called her DANGEROUS! You’ll call her WONDERFUL!
Released on February 4th, 1933 and starring Stanwyck as Nan, a “beautiful gun moll” who helps rob a bank and gets sent to the slammer, Ladies They Talk About was Warner Bros’ feminine take on the prison film, a genre that was incredibly popular in the early 1930s. In 1932, Warner Bros. released the hard hitting classics I Am a Fugitive from a Chain Gang and 20,000 Years in Sing Sing, although both movies were predated by RKO Radio Pictures’ Hell’s Highway (released in September of that year; Fugitive followed in November and Sing Sing in December). The success of Ladies They Talk About encouraged Warner Bros. to do for the gangster flick what Ladies did for the prison movie, with the surprisingly feminist Blondie Johnson (1933), starring Joan Blondell as an organized crime boss.
Pre-Code Hollywood loved gangsters and the feeling was reciprocated. The infamous Bonnie Parker adored the movies and, like many poor and working class girls of her time, saw in them a way out of drudgery and poverty. In March 1930, Parker hid a gun under her dress to help her boyfriend Clyde Barrow escape from jail. It was April of 1933 however when the two bank robbing love birds became household names: when authorities investigated the Barrow gang’s hideout, they found rolls of unprocessed film containing posed images of the couple that were soon splashed across newspapers nationwide. It was the photos of Bonnie that captured the public’s imagination the most: tight sweater, gun at her hip, cigar wedged between her lips: women like this had only ever existed in the movies. Until now. Did Bonnie see Ladies They Talk About and was she influenced by it? It’s certainly plausible.Continue reading “Pre-Code Film Review: Ladies They Talk About (1933)”